People who love to get tattoos come in all different shapes and sizes, which London-based photographer Alan Powdrill proves in his new Covered photo series. The people in his series, many of whom are tattooed chin-to-toe, are all walking, breathing works of art.
To drive the point home, each of Powdrill’s photos comes with a brief comment from the sitter about their history with tattoos. Some are extraordinarily late bloomers who started getting tattoos at 40 or 50, while some are life-long enthusiasts who’ve been getting tattoos since before they were of legal age.
Powdrill has tons of great photos of interesting people in his portfolio, so if you like this photo series, be sure to check out his other work on his website! His photos will be on display in London on November 11th as well, so if you’ll be in the city, check out his site for more info.
“I was 51 when I started and my father was already dead and my mum didn’t say anything as she was in the early stages of dementia”
“I don’t feel my opinion will change on my tattoos, I doubt I’ll have any regrets regardless of my age”
“I started in 1963 when I was 14 and I don’t think I’ll ever stop”
“My tattoos are part of who I am and I’ll always love my bodysuit now and when I’m 80. The love I get for what I look like is what it’s all about”
“Me mum wasn’t happy at all about the swallow on my hand so I said ‘Look mum it’s not like I’m on the street doing heroin”
“I love being different and everyday I’m asked about them. Good tattoos aren’t cheap, cheap tattoos are not good”
“I was 16 and got a small lizard on my hip. My parents said ‘how would I ever get a job!’”
“My Kiss tattoos are my favourites, the pain was incredible but it feels good to show my ultimate dedication to the band”
Produced by Swedish lighting brand Zero, the Block panels are designed to absorb high and low frequency sounds to create a more pleasant working environment.
Their half-oval shapes are mirrored in the cable-tidy system that is also used to suspend the panels from the ceiling.
The concept was devised by ex-electrician and Linné University student Johanna Jacobson Backman in her second year of a design degree, during an industry collaboration with Zero.
The brand liked her idea so much that it decided to put Block into production.
“Johanna’s design impressed us, as it was really innovative and would work in all kinds of spaces where you need light- and sound-absorbing features,” Zero’s Per Gill told Dezeen.
The students were each given an LED module and briefed to think about workplace lighting.
While other students used the qualities of LED lighting to create slim and minimal lights, Backman set about making the biggest light she could.
“I love to turn things upside down and think in the other direction,” she told Dezeen. The idea for adding sound absorption came to her when considering what function such a large surface area could serve.
produced almost as a fortress, the 1-story residence is hidden within huge folding walls that define a personal but spacious courtyard.
The submit valerio olgiati hides villa alem within folding concrete walls appeared very first on designboom | architecture & design and style magazine.
Kichi Architectural Style designed the two-storey house for a pair and their 3 children in Tsukuba, a city forty miles outside Tokyo. While the house has been presented the identify Circle House, it gives the effect of having three rectangular flooring.
According to the architect, the name originates from the building’s layered form, which is meant to symbolize the round ripples that often show up on the surface of water.
“The facade imagined the threefold circle which floats on the floor of a river,” described studio founder Naoyuki Kikkawa. “The facade creates the impression of 3 overlapping circles growing up from the expansive garden.”
The first wall encloses a slim strip of land around the decrease ground of the property, delivering daylight although keeping privateness from neighbouring structures and the avenue.
The second extends up from the marginally more substantial ground floor to conceal a very first ground balcony, although the 3rd wall is topped by a flat roof.
“The white walls surrounding the indoor area maintains privacy while enabling for a lot of sunlight,” Kikkawa advised Dezeen.
The perimeter wall wraps the decrease ground of the house on three sides but on the fourth facet a strip of blackened timber marks the entrance. This is created from planks of pink cedar that have been painted black to distinction with the white facade.
Broad oak methods guide up to two glazed partitions, which concertina back to be a part of the terrace with the dwelling area.
Inside, oak floorboards that run in the reverse path to the actions include the residing region, while traditional tatami matting is utilised to create the chequered flooring of an elevated lounge.
St Ignatius Chapel kinds component of The Calcagnini Contemplative Center for Georgetown University, an off-campus retreat for pupils and college users of the predominantly Catholic and Jesuit university. It is named soon after Ignatius of Loyola, who launched the Society of Jesus in the 16th century.
Washington DC studio Dynerman Architects created the “small and personal” chapel with just a single area, massive adequate to accommodate a visiting congregation of 24 worshippers.
Positioned in the Blue Ridge Mountains in Clarke County, Virginia, the site also encompasses a set of cabins and a eating hall to accommodate overnight stays for the university’s residential spiritual programmes.
“The chapel is conceived as an elemental pavilion the palette is spare yet prosperous,” explained studio founder Alan Dynerman.
A rectangular parapet rises above the pitched-roof framework to give the constructing a basic block-like appearance from a single strategy. Even so the gable finish peeps out from 1 side of this finish wall, revealing a tall strip of glazing.
On the other side of the composition, the pitched roof is still left obvious, resonating with the rooftops of the support structures that surround it.
These structures, also designed by Dynerman, are all topped with matching roofs, manufactured from the galvanised aluminium standard of the region’s agricultural architecture.